Jessica "Jess" Jerome:

the dog should animate.

James Hornby:

you're hitting the accents, but because your character stops dead on some of the extreme poses it jars a little bit

Alice Reeve:

Nice poses, and I like the way you implemented small, subtle movements into the guy's animation, even when he was "idle" and not talking - that's really good. However, the transitions between the poses are still a little robotic - don't have him staying perfectly still at any time.

Richard Adams:

The idea is good. Too bad there's zero animation on the dog at all. I would've rated it higher if it had.

Thijs Aarts:

Pitty the dog doesn't move its lips.

Adrian Winchell:

Decent blocking, now you need anticipation, followthrough, easing, and maybe some animation on the other character?

Sam Caudill:

Good work on the main character. Too bad you didn't get to the dog. Really like the expressiveness though

Evan Helford:

I think this shows how important poses are. Though it's not finished, I still a get a sense of personality for the human character. The pose at frame 174 in particular is pretty nice. I wish this made it past the blocking phase so we could see it finished. Very nice start though.