Coltin:

Good job. Would be nice to see a little more polish and I hope you don’t mind me giving you some feedback. Currently I understand your story and what your trying to get at but your animation feels kinda floaty at times. When your character gets into his main pose say frame 18 he’s looking at his hand I feel it would read better if you kept him there for longer with a little weight shift and then continuing onto the next pose. Right now it feels like he’s constantly moving with out a break. Your eye movements could use some cleanup. A good exercise I like doing is shooting reference or finding it online. When you change your eye direction it usually leads your head in the direction but it is a quick dart of the eyes. If you took out your phone and recorded your eyes or looked in the mirror your eyes can’t physically move left to right at a slow rate they usually have a darting feel to them. I would say most eye darts depending on how intense happen over a frame or two. A good example in your shot is frame 134 your main character is looking at yellow dude then blinks and looks forward. His eyes are changing direction over a couple frames where as frame 119-136 his eyes are moving very slowly.all in all looking good. :)

Isabelle Dussault:

The heads are goint into wierd positions. The context is good and march the dialogue pretty well. There is still a lot of work to do on the animation.