Richard Adams:

Something went wrong with the audio, eh? Search youtube about how to fix floatiness.

Ashley Ulbrich:

Strong emotion work and personality in this! When using Malcolm's deformers, I'd film reference of you performing the line to see the arcs that the corners of your mouth make when talking to catch some more of the fluid motion in the dialogue. I'd also make sure that a character's mouth can be seen if they're talking because this is a dialogue competition at its core. Overall, though, great work!